Highlights
So you call yourself a still photographer?
By: Eric Schulzinger
The convergence between still and video isn’t coming…its already here. With the introduction of the most recent Canon 5D Mark II and the Nikon D90 the lines have become permanently blurred.
As a Canon shooter, I have experienced the evolution of digital imaging starting with early models dating back to October 2000 with the D30 camera. In the beginning, the file sizes couldn’t compete with the 2-¼ chrome I was shooting; however I quickly found that the D30 was far more efficient than using Polaroid for testing lighting. The efficiency of digital was a stark contrast to shooting film and the transition was quickly underway.
Each new camera offered exponentially better and higher resolution with expanded features. The leap forward with the latest 5D Mark II moved the needle in a new direction. The camera as expected has better image processing of the 21-megapixel files than ever before. It also has an extended ISO range, which allow shooting in low light at up to 25,600 in expanded mode. Optimum results are more in the 1,200-1,600 ranges for low light shooting in my opinion.
The real breakthrough is the camera’s ability to shoot full HD video at 1024 X 1920. It is the first of a new generation of cameras, which will forever redefine our roles as image-makers.
Traditional publishing is quickly adapting to a Web-centric audience aided by economic as well as environmental pressures. To survive, publications are adapting to e-publishing, which has opened an ever-expanding need for multi-media content.
As content creators we will also need to redefine our role to compete in the changing environment. The Canon 5D Mark II is a first step in allowing us to make that transition from still photographer to multi-media artist.
Although the camera has stunning video quality, as a first generation still camera used for video capture it lacks the functionality of a video camera.
The greatest challenge is maintaining critical focus. Because the camera captures video using a full 24X36 sensor it has a very shallow depth of field. As a result, the video it captures has a very cinematic look and feel.
It is extremely challenging to move the camera while shooting and tracking focus in the video mode. After-market focus systems by manufacturers like Zacuto and Redrock are making it easier; however the systems are not inexpensive. Future generations of convergence cameras will surely have ergonomics designed with the videographer in mind.
This is an exciting time for photographers and content creators. The sooner we embrace the new direction that digital imaging is taking; the more adept we will be at mastering the new tools at our disposal.
Bio:
Now celebrating his 30th year with Lockheed Martin Corporation, Eric Schulzinger is Dir. Multimedia Communications. He currently produces and directs television advertising and web video content.
His work can be seen at: www.lockheedmartin.com/how